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It’s hard to know whether or not I have too many ideas that distract me from my other, more pressing projects.  For example, I’d really like to get the first drafts of Her Lovely Blood and Cry of the Golden Wyvern done.  Plus I’d like to make progess on Awakening, which is the first book of the Unmaker’s Saga.
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Under the Darkened Moon is not yet done, but it is getting close. A few more chapters need polishing. Then it will be off to whatever is next on the list once the novel is sent off to fend for itself in the slush piles of literary agents and publishers. And boy, is that list of potential projects long. I have so many that it is going to be hard to choose.

There are a lot of short stories I am working on. I have considered finishing up enough of those to wrap them up into an small book of maybe 100 pages or so and get something published and available for sale. Right now I am preparing to get two stories (Frist and Second Lessons & The Yoke) critiqued by my writers group. Second Chances is available to do something with too. So that could be the start for this idea. Read more…

I am compiling my final bits of feedback on my novel Under the Darkened Moon from my review group. Few negative comments. In fact, no real negative comments at all. Just lots of constructive ones. Of course, I’ve been working with some members of this group for several drafts now and we’ve pushed past the negative things long ago. The polishing draft is coming along and I am on page 211 of that and half way through. Lots of yellow markups which are mostly just me rewording sentences for my own preferences.

People are already asking me when the novel is going to be published so they can see the final product. But I haven’t even sent out the queries yet. And still half the group is asking me for the sequel, assuming that there is going to be one. Sequel? Hell, let me get the first one published!

I’ve been trying to work on a couple other projects, particularly Her Lovely Blood which i have really taken a like to but have not been able to concentrate on that with my polishing of UtDM proceeding. Started work on a fantasy/steam punk mix in The Arrow but after about 5,000 words I realized I need to do some more story plotting on that story before plowing ahead. Even Cry of the Golden Wyvern is not moving forward as I try to work out how to get the story to where it needs to go.

Basically I am in a rut I guess. I’m basically done with my first novel and in that place between polishing and submission. It’s been a year of my life dedicated to it and I know the process is really just getting started. It’s time to get a lot of rejections on the way to publication. It’s not the thought of rejection that is getting me down. Everyone who has read Under the Darkened Moon seems to really enjoy it and has high praise for it. So I am certain that someone, somewhere in the publishing world will like it too. And if not? Well screw them is what I say. I’ll put it on the shelf and write one of the other stories. I feel like a parent getting ready to send my child out into the world is what it is. You know what is going to happen, the struggles that will be forth coming for them and you just have to sit back and let it happen.

I tend to find that when I am working on a novel project it generally takes about 50 pages or 12,000 words before the real basis of the story itself is charted.  Usually by about page 50, about three quarters of what I had originally mapped out as the course of the story has gone into the scrap heap.  Or at least that stuff is stashed away for a possible future story.  Under the Darkened Moon followed this rule which I did not even consider a rule when I started writing it as it was my first project.  However over time the law seems to be holding true.  I have at least 50 pages completed in several other novels and each of them have resulted in 75% of the planned course being discarded or seriously revised.  Be it The Half-Orc Princess, Cry of the Golden Wyvern or Her Lovely Blood, the 12,000 word rule has been a nemesis to the finest laid plans for each of them.  Even a project I just started today as a sort of test story, The Arrow, completely went off in another direction by the 1,500 word mark and is, honestly, better than what I had sketched for it.

I attribute this to the fact that I seem to work better when actually writing than postulating and sketching things out.  I just cannot see how everything fits together until I start actually writing the actual text.  Maybe some other writers can.  But I cannot.  So I am just accepting this and embracing.

Now here is an interesting thing that I have been dealing with. At least it is interesting to me, while also frustrating, so I am going to write about it.

I have been working on the story Cry of the Golden Wyvern and part of the story, early on, is about the sexual liaison between two of the characters. This however has been a sticking point for parts of the story because it requires writing about sex.

Usually when I comes to writing about the act of sex in a story I set up the scene, fade to black, and then pick up afterwards. I am not in the business of writing erotica and my approach has worked well. I like letting the reader figure out what is going on in their own mind. Read more…